Really exceptional Les Paul from Greco. The neck looks like a negative – instead of ebony and pearl markers plus cream binding – everything reversed. Light maple, black binding and markers. Similarly on the body – raw, i.e., mahogany in a clear finish and the beautiful multi-layer binding characteristic of Customs, but also with dominant black.
On board under the neck: original PAF Greco, and under the bridge: Dimarzio, looks like Super Distortion (definitely Dimarzio, but I might be wrong about the model). Anyway, tonally it’s fat, thick and juicy!
Hardware quality is top-notch – solid tuners, not some budget junk, bridge and tailpiece a class above what you see in 2x more expensive guitars.
Passive electronics: 2x vol, 2x tone and 3-position pickup selector.
Did I already mention that this guitar looks almost like new?
Well, it’s been over 40 years, and this Greco looks at most like an exhibition axe. Minor dings and scratches that you really have to hunt for – check out the photos yourselves.
The biggest drawback of old guitars, namely worn frets, isn’t your problem either, because there are new, fresh Hosco Japan frets here!
I recommend!
This is really an exceptional and rare LP. Want something special and standout? Here you go!
Actions performed on the guitar:
Fret replacement
Lacquer polishing
Hardware polishing
Cleaning and maintenance of electronics
Nut correction
New strings
New jack
Pro set-up

A guitar for the traditionalist – an old, well-made LP without any frills or upgrades.
As is well known, Japan produced excellent instruments, and this guitar is a perfect example. Despite its age, the guitar still holds up remarkably well, and aside from the typical blemishes of vintage instruments, there’s nothing to complain about 😉
The headstock features solid tuners and a bone nut. The rosewood fretboard is adorned with crown-shaped inlays and binding. The body, with its distinctive arched top, is also bound and finished in a traditional cherry burst.
Two classic humbuckers with a rather vintage sound are onboard – these aren’t hi-gain pickups. The electronics are passive: 2x tone, 2x volume, and a pickup selector. The bridge and tailpiece are heavy and solid, unlike those found on newer guitars.
Considering its age, the Yamaha is in very good condition and shows signs of wear comparable to an instrument several years old. Technically, as is typical with us, everything is in tip-top condition.
I highly recommend!
Work performed on the guitar:
Fret levelling
Finish buffing
Hardware polishing
Electronics cleaning and maintenance
Jack replacement
Fretboard cleaning and maintenance
Nut adjustment
New strings
Professional setup
I recommend it!

I present a Yamaha SA-30, over 50 years old – true vintage! Original, very thin nitro lacquer and a condition that truly impresses. The guitar is phenomenally well-preserved, and after our “guitar spa,” the lacquer has regained its shine while maintaining full originality. The hardware shines almost like new. The frets were replaced – the original ones were very small, practically needing replacement right away – and the tuning pegs were changed by the previous owner. This is a plus, as the original tuners were probably the guitar’s weakest point.

It features two Yamaha-made pickups with balanced sound and passive electronics in a volume, balance, and tone configuration. The output jack is located on the side, in a metal plate that cleverly protects the body from potential jack pull-out. The body and neck are made of maple, with a rosewood fretboard. This is a full hollowbody, so the guitar is very light, and the neck – as typical for Japanese guitars – is comfortable and slim.

Highly recommended!

Work performed on the guitar:

Fret replacement
Lacquer polishing
Hardware polishing
Electronics cleaning and maintenance
Output jack replacement
New strings installed
Professional setup